This publication explores the frightened and volatile courting among court docket poetry and diverse kinds of authority, political and cultural, in England and Scotland first and foremost of the 16th century. via poems via Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the trails through which court docket poetry and its narrators search a number of sorts of legitimation: from royal and institutional resources, but in addition within the media of script and print. The publication is the 1st for your time to regard English and Scottish fabric of its interval jointly, and responds to eu literary contexts, the discussion among vernacular and Latin topic, and present severe concept. In so doing it claims that public and low writing inspires a counter-discourse within the secrecies and subversions of medieval love-fictions. the result's a poetry that queries and now and then cancels the very authority to talk that it so proudly promotes.
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Extra resources for Court Poetry in Late Medieval England and Scotland: Allegories of Authority (Cambridge Studies in Medieval Literature)
Politics and literature – England – heritage – sixteenth century. four. Politics and literature – Scotland – heritage – sixteenth century. five. Authority in literature. I. identify. PR525. H5H37 2010 8210 . 3093581–dc22 2010030520 isbn 978-0-521-80957-3 Hardback Cambridge collage Press has no accountability for the patience or accuracy of URLs for exterior or third-party web web content pointed out during this book, and doesn't ensure that any content material on such web content is, or will stay, exact or applicable. For Joan, Jack, Loie and Maud Contents Acknowledgements Abbreviations web page viii x 1 creation 1 Beginnings: André’s Vita Henrici Septimi and Dunbar’s aureate allegories 19 2 The Bowge of Courte and the beginning of the paranoid topic forty three three “My panefull purs so priclis me”: the rhetoric of the self in Dunbar’s petitionary poems sixty three four Translative senses: Alexander Barclay’s Eclogues and Gavin Douglas’s Palice of Honour 87 five Mémoires d’outre-tombe: love, rhetoric and the poems of Stephen Hawes 108 6 Mapping Skelton: “Esebon, Marybon, Wheston subsequent Barnet” one hundred forty five end 168 174 217 243 Notes Bibliography Index vii Acknowledgements This ebook has come jointly over decades, yet i'm vulnerable to think about it as framed among teams. on the collage of Cambridge, the place it all started all too in the past as a doctoral thesis, the Cambridge “alternative” medieval seminar supplied a version of interchange not often encountered because. Ardis Butterﬁeld, the past due Ruth Bagnall, Mark Chinca, Elizabeth Edwards, Simon Gaunt, Jane Gilbert and Gabrielle Lyons are all owed a lot. Sarah Kay and Nicolette Zeeman, either additionally participants of the crowd, have been beneficiant sufficient to tackle the extra activity of interpreting early types of the fabric, as have been Richard Axton and Rita Copeland. extra lately these early days were recalled within the St. Louis Lacan examining staff, and the following i need quite to thank Guinn Batten, Jessica Rosenfeld and Jon Todd Dean, who supplied fantastic discussion and suggestions whilst elements of Chapters 2 and five have been awarded as a part of a panel on the Lacanian Afﬁliated Psychoanalytic Workgroups convention in Philadelphia in March 2008. To participants now, extra and no more officially. My curiosity within the fabric started with an undergraduate dissertation directed by means of A. C. Spearing, who additionally supervised the preliminary phases of the next doctoral dissertation. Richard Beadle took over the latter phases, and I’m thankful for the knowledge, acumen and regular aid of either. As doctoral examiner, John Scattergood deployed his huge Skeltonian wisdom with light-handed bounty. Linda Bree and Elizabeth Hanlon were greater than quite forbearing with an writer who should have appeared professionally inﬁrm. i couldn't think extra cautious or considerate readers of the unique typescript than James Simpson and R. James Goldstein, either one of whom were confident inﬂuences in a number of different methods. Nor am i able to start to reckon the big own and highbrow generosity of Paul Strohm, who at one level took trip from a hectic summer time to learn an prior model of the paintings, and who has sustained my considering around the years.