By Joan Mellen
Joan Mellen situates Modern Times within the context of Chaplin's lifestyles and his paintings, exploring its historical past and affects in addition to its ongoing charm. She explores how the film's issues of oppression, industrialization, and dehumanization are embodied within the little tramp's fight to outlive within the smooth world.
Joan Mellen dedicates the ultimate bankruptcy of the publication to the interesting information of the FBI's dossier on Chaplin, which was once opened in 1922 and maintained till lengthy after his death.
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