By Daryl Lee
A concise creation to the style approximately that one final gigantic rating, The Heist movie: Stealing With Style strains this crime thriller's improvement as either a dramatic and comedian automobile turning out to be out of movie noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into glossy capers within the Nineteen Sixties (Ocean's Eleven, Gambit, How to thieve a Million) and splashing throughout displays within the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The solid Thief). equipped round a sequence of case reports (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this quantity explores why administrators of such diversified backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and clever) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so interested in this renowned style.
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Extra resources for The Heist Film: Stealing with Style (Short Cuts)
In archetypal noir type, the male personality is the sufferer and prisoner of a prior he can't get away, and those motion pictures heighten stress among their glaring fatalism and the hero’s tragic craving for freedom, be it metaphysical or fabric, some degree which the heist movie has pursued relentlessly. The Killers recounts in baroque flashback the dying of Ole Anderson (Lancaster), often called ‘the Swede’, after his boxing occupation is reduce brief by means of harm. His infatuation with Kitty Collins (Ava Gardner), the saved mistress of crime boss huge Jim Colfax (Albert Dekker), ushers him into their underworld actions. The Swede’s tale is focalised essentially via an coverage agent, Reardon (Edmond O’Brien), who, like a detective, reconstructs its parts from the vantage aspect of these who knew the Swede. Colfax and Collins use the Swede to double pass the group once they pull a payroll hold-up. Our curiosity in either one of the Siodmak movies stems basically from components that run parallel in every one, a doubling or repetition indicative of semantic and syntactic consolidation: the making plans of the heist and the execution of the theft. (I suggest the shut readings of the movie in Shadoian 1977: 83–113, and Walker 1992: 128–35. ) The making plans assembly within the Killers doesn't include an independent education montage, however it is a dramatic piece in its personal correct that units up the ulterior stakes of the crime. Colfax, awaiting the Swede and illuminated via the only mild in a darkened room, frivolously asks his males to play playing cards, metonymically marking the theft as of venture, a online game to him but in addition a major chance. because the Swede is available in and greets all people, his face alterations dramatically while Kitty’s voice addresses him off-screen, a haunting aural presence. The Swede runs his fingers over a eco-friendly handkerchief embellished with golden harps that Kitty had given him whereas he was once in legal. We reduce to her mendacity at the mattress in deep concentration within the historical past. The handkerchief is a token of the facility she wields over him even if absent – she is the article of his curiosity within the caper. while Colfax asks even if he's in, the Swede consents and appears off-screen to Kitty and we reduce to her as extra affirmation of his obsessive intentions. One guy asks Colfax in regards to the activity in a meta-cinematic means – ‘What’s the image? ’ – that Siodmak then visualises within the next series. Siodmak formed the theft series right into a formal point of interest. He bookends the complete series by way of an ironic voice-over that 24 Heist_Film_pages. indb 24 17/2/14 15:45:44 THE HEIST movie contrasts with what's at the display. Reardon’s coverage boss reads a newspaper account of the theft, as though captioning the pictures in a documentary style and situating the development with regards to most of the people, who've no wisdom of the person gamers. The filmed theft unfolds in one lengthy take of significant complexity, a lot of it with a cellular body. ‘The general emphasis [in later heists] will be to deliver us in as regards to the theft, create suspense concerning the mechanics of the heist and concerning the strength of imperfect functionality at the a part of individuals of the crowd’ (Shadoian 1977: 106).